Hello! I'm Tom. I designed a game called Gunpoint about rewiring things and punching people, I'm on a weekly gaming podcast called The Crate & Crowbar, I wrote these two short stories in the Machine of Death collections, and I used to write articles like these for PC Gamer. I'm now prototyping two new games, Heat Signature and one about grappling hooks.
Pentadact: If only there were a Radiolab episode about this.
Pentadact: Cheers! Right now collision is done per-pixel...
BadBannana: Hmm, Arstotzkan Coffee actually sounds really good...
I love this. It’s their usual shimmering synth with spacey squeaks, and then at some point it just seems unable to contain its excitement and goes all-out eighties sax. It’s one of the best things to go.
The MP3 is free to download if you sign up for their newsletter or whatever.
If you’ve been dissatisfied with any of the government whales you’ve been using lately, I can recommend the Freelance Whales. When an album starts with a song like this, you know you’re in for some pretty fucking gentle glockenspiel-banjo times.
The whole album is good, I got it from here.
About the only new music I got into in 2010 was Said the Gramaphone’s round-up of the best music of 2009. So a while back, I asked Twitter for help, scoured The Onion AV Club, sifted through Spotify lists, and then pretty much went with Said the Gramaphone’s round-up of the best music of 2010.
Since I’m embedding a bunch of tracks from their site, I’ll also copy their referral codes for the buy links so any kickbacks go to them. Continued
This section of preaching is directed at me rather than you, but I want to write it publicly to force myself to make sense. I’ll probably include some irrelevant music or photos with each post to distract you in case you get bored – this one’s the first big win of 2011′s adventure into the music other people discovered in 2010. Continued
The first entry of a Minecraft diary I’m starting just went up on PC Gamer – it’s just a short one to start with, but this might turn into a long-running thing. It’s about playing with a sort of permanent death rule: if I die, I have to delete the whole world and everything in it, then start again from scratch in a new one. It’s also starting from when I first played the game, so I know virtually nothing about how it works. The next entry will go up first thing tomorrow, and it’ll probably be every other day from then on. Continued
I won’t bore you with any kind of account of my year, but here are some photos I took during it. I guess I didn’t take all of them since I’m in some of them, but I don’t remember so good about those ones.
I’ve been working my way through Said the Gramophone’s 75 tracks of the year with an odd cocktail of revulsion and delight. Among the delight, this wonderful song by Vic Chesnutt. Often songs that aren’t about what they seem to be about never let you in on the twist – it was years before I realised Belle & Sebastian’s Century of Elvis was about a cat. Vic’s is from the school of “Two minutes in, just come out and say it.” Continued
The silence here lately has been down to a dangerous daily routine of falling asleep in front of Star Trek: The Next Generation, waking up at 5am and playing Prototype until work. Dangerous, but not unpleasant.
Prototype has caused me to break a mouse, and Star Trek has my brain quietly working on a master formula to generate Star Trek plots for Star Trek Online quests, and ways they could interact with a player-chosen crew. Continued
A regular feature in which I ask you to listen to a sound file with no idea what it’s going to be. Sometimes it’s voice, sometimes music, once it was just a noise. This one’s not super-obscure, but it’s ages since I actually listened to it, and to this day I find myself humming it when someone says the word ‘online’. It is dorky in the extreme.
Update! It’s not supposed to be all crackly and fucked up. But it’s sounding that way for some. See the comments for a link to the video.
I’ve been wondering when and how best to post something of Florence and the Machine‘s for a while, pretty much since I first heard them on Adam & Joe. I didn’t doubt it would be Dog Days, the exhaustingly energetic rollercoaster of a song I heard first, I was just waiting till they had something out for it to promote. I forgot that what they released could theoretically be better. They still don’t have an album, but this is Dog’s B-side: You’ve Got The Love. Continued
A regular feature in which I ask you to listen to a sound file with no idea what it’s going to be. It’s an attempt to share the strange experience of rummaging through my old download folders, listening to forgotten MP3s with uninformative filenames. All I know about them is that I must have liked them at some point.
Volume Four was the shortest I’ve ever posted, this one is the longest – don’t click play if you’re in a hurry.
A regular feature in which I ask you to listen to a sound file with no idea what it’s going to be. A very, very short one this time, and hopefully mysterious. I’ll reveal its identity and why it’s interesting in the comments tomorrow, but beat me to it if you can.