Great Moments In Television, 2016

These are all suspiciously recent so this is probably only the best three moments of the last few months, but that does at least mean I could get clips. Until they’re taken down. I put them on Streamable in the hope they’ll stay up longer, which has the side-effect that they loop when they’re done. Shrug emojii.

These are not spoilery except for The Crown, in which nothing really happens. Continue reading “Great Moments In Television, 2016”

The Formula For An Episode Of Murder, She Wrote

My life has changed in many ways since working for my own company, but perhaps the biggest is that I can now watch Murder, She Wrote over breakfast and/or lunch. This is great, but it’s also ingrained the show’s weirdly specific formula in my brain, and now I feel I must write it down. The following is how about 70% of its episodes go – the exceptions are kind of nuts. Continue reading “The Formula For An Episode Of Murder, She Wrote”

The Good And The Bad Bits Of The Newsroom

Aaron Sorkin’s current show about a TV news show was panned by reviewers, but I quite liked its first episode and thought its problems were fixable. The reviewers had seen the first four. I now see what they were talking about.

It’s such an extraordinary mix of exciting potential and staggeringly clumsy writing that I’ve had trouble stringing together a sentence about it that uses the word ‘but’ fewer than five times. So I’ll give up on a coherent overview and just list the things I like and don’t like. Continue reading “The Good And The Bad Bits Of The Newsroom”

The Newsroom

That leaked Aaron Sorkin script I wrote up a while back is now a show, called The Newsroom. It goes behind the scenes of a nightly news show with a grouchy celebrity anchor, and revolves around him, his new executive producer and the crew. This means I would watch it religiously even if it wasn’t a Sorkin thing – I have no particular interest in the news, but every show or film made about it seems to be great. Continue reading “The Newsroom”

Why Terriers Was Axed

“Based on what these people saw in those two episodes, the FX-centric viewer just rated it lower in areas such as intensity, suspense, sexiness. When you talk to the USA-type viewer, they rate it lower than their favorite shows because it’s not a land in which every babe is hot, and the sky is incredibly blue, and everybody lives in an apartment three times as big as they could legitimately afford, and everything comes out great in the end. What we ended up with—and this is a much more nuanced and complicated answer—was a show that somehow fell between two brands.”
FX president John Landgraf Continue reading “Why Terriers Was Axed”

A Minecraft Diary And My Black Ops Review

The first entry of a Minecraft diary I’m starting just went up on PC Gamer – it’s just a short one to start with, but this might turn into a long-running thing. It’s about playing with a sort of permanent death rule: if I die, I have to delete the whole world and everything in it, then start again from scratch in a new one. It’s also starting from when I first played the game, so I know virtually nothing about how it works. The next entry will go up first thing tomorrow, and it’ll probably be every other day from then on. Continue reading “A Minecraft Diary And My Black Ops Review”

Phineas And Ferb

This made me laugh.

Povenmire and Marsh still found themselves fighting for some of their more surreal material. In several episodes, for instance, a character named Major Monogram interjects—apropos of nothing—the phrase “Ever since… the Academy.” A Disney executive quickly flagged the line, arguing (correctly) that it was utter nonsense. Povenmire assured him that it was exactly the kind of nonsense kids would parrot to one another at school. In fact, he felt so confident, he told the executive he expected to one day hear children repeat the line. The skeptical exec pledged to give Povenmire $100 for every time Povenmire heard it (unsolicited, of course). Continue reading “Phineas And Ferb”

Death Note

Almost anything that features a master criminal fancies itself as a battle of wits between him and the star detective. In practice, all that usually means is the bad guy leaves no evidence, then blunders into an obvious trap by the cop. Death Note actually is a battle of wits, though: the entire series revolves around two people desperate to eliminate each other, but prevented from doing so directly by the complicated mathematics of suspicion, guilt and uncertainty. Continue reading “Death Note”