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TOM FRANCIS
REGRETS THIS ALREADY

Hello! I'm Tom. I'm a game designer, writer, and programmer on Gunpoint, Heat Signature, and Tactical Breach Wizards. Here's some more info on all the games I've worked on, here are the videos I make on YouTube, and here are two short stories I wrote for the Machine of Death collections.

Theme

By me. Uses Adaptive Images by Matt Wilcox.

Tom’s Timer 5

The Bone Queen And The Frost Bishop: Playtesting Scavenger Chess In Plasticine

Gridcannon: A Single Player Game With Regular Playing Cards

Dad And The Egg Controller

A Leftfield Solution To An XCOM Disaster

Rewarding Creative Play Styles In Hitman

Postcards From Far Cry Primal

Solving XCOM’s Snowball Problem

Kill Zone And Bladestorm

An Idea For More Flexible Indie Game Awards

What Works And Why: Multiple Routes In Deus Ex

Naming Drugs Honestly In Big Pharma

Writing vs Programming

Let Me Show You How To Make A Game

What Works And Why: Nonlinear Storytelling In Her Story

What Works And Why: Invisible Inc

Our Super Game Jam Episode Is Out

What Works And Why: Sauron’s Army

Showing Heat Signature At Fantastic Arcade And EGX

What I’m Working On And What I’ve Done

The Formula For An Episode Of Murder, She Wrote

Improving Heat Signature’s Randomly Generated Ships, Inside And Out

Raising An Army Of Flying Dogs In The Magic Circle

Floating Point Is Out! And Free! On Steam! Watch A Trailer!

Drawing With Gravity In Floating Point

What’s Your Fault?

The Randomised Tactical Elegance Of Hoplite

Here I Am Being Interviewed By Steve Gaynor For Tone Control

A Story Of Heroism In Alien Swarm

One Desperate Battle In FTL

To Hell And Back In Spelunky

Gunpoint Development Breakdown

My Short Story For The Second Machine Of Death Collection

Not Being An Asshole In An Argument

Playing Skyrim With Nothing But Illusion

How Mainstream Games Butchered Themselves, And Why It’s My Fault

A Short Script For An Animated 60s Heist Movie

Arguing On The Internet

Shopstorm, A Spelunky Story

Why Are Stealth Games Cool?

The Suspicious Developments manifesto

GDC Talk: How To Explain Your Game To An Asshole

Listening To Your Sound Effects For Gunpoint

Understanding Your Brain

What Makes Games Good

A Story Of Plane Seats And Class

Deckard: Blade Runner, Moron

Avoiding Suspicion At The US Embassy

An Idea For A Better Open World Game

A Different Way To Level Up

A Different Idea For Ending BioShock

My Script For A Team Fortress 2 Short About The Spy

Team Fortress 2 Unlockable Weapon Ideas

Don’t Make Me Play Football Manager

EVE’s Assassins And The Kill That Shocked A Galaxy

My Galactic Civilizations 2 War Diary

I Played Through Episode Two Holding A Goddamn Gnome

My Short Story For The Machine Of Death Collection

Blood Money And Sex

A Woman’s Life In Search Queries

First Night, Second Life

SWAT 4: The Movie Script

M83 – Midnight City

I love this. It’s their usual shimmering synth with spacey squeaks, and then at some point it just seems unable to contain its excitement and goes all-out eighties sax. It’s one of the best things to go.

The MP3 is free to download if you sign up for their newsletter or whatever.

I Like That You Can Slow Down

Great new music is being released rapidly and randomly. Let me review some of it and give you some tracks.

Continued

Our Limbs Have Been Asleep

If you’ve been dissatisfied with any of the government whales you’ve been using lately, I can recommend the Freelance Whales. When an album starts with a song like this, you know you’re in for some pretty fucking gentle glockenspiel-banjo times.

[audio:https://www.pentadact.com/temp/FreelanceWhales-GeneratorFirstFloor.mp3]

The whole album is good, I got it from here.

Mixtape: Ten Tracks Mostly From 2010

About the only new music I got into in 2010 was Said the Gramaphone’s round-up of the best music of 2009. So a while back, I asked Twitter for help, scoured The Onion AV Club, sifted through Spotify lists, and then pretty much went with Said the Gramaphone’s round-up of the best music of 2010.

Since I’m embedding a bunch of tracks from their site, I’ll also copy their referral codes for the buy links so any kickbacks go to them. Continued

Advice

This section of preaching is directed at me rather than you, but I want to write it publicly to force myself to make sense. I’ll probably include some irrelevant music or photos with each post to distract you in case you get bored – this one’s the first big win of 2011’s adventure into the music other people discovered in 2010. Continued

2010: The Year In Forty Photos

Photos of 2010 60

You probably don’t want to hear about my year, particularly since it was good. So I’ll do what I did in 2009 and just pick some shots from it, and a track to listen to while you browse. Continued

A Minecraft Diary And My Black Ops Review

The first entry of a Minecraft diary I’m starting just went up on PC Gamer – it’s just a short one to start with, but this might turn into a long-running thing. It’s about playing with a sort of permanent death rule: if I die, I have to delete the whole world and everything in it, then start again from scratch in a new one. It’s also starting from when I first played the game, so I know virtually nothing about how it works. The next entry will go up first thing tomorrow, and it’ll probably be every other day from then on. Continued

Month In Links: December

This is a thing I do now. Most of this stuff I mentioned on Twitter, but it’s not an ideal channel and I don’t like that I never link stuff here anymore. Continued

The Year In Forty Photos

I won’t bore you with any kind of account of my year, but here are some photos I took during it. I guess I didn’t take all of them since I’m in some of them, but I don’t remember so good about those ones.

I’ve been working my way through Said the Gramophone’s 75 tracks of the year with an odd cocktail of revulsion and delight. Among the delight, this wonderful song by Vic Chesnutt. Often songs that aren’t about what they seem to be about never let you in on the twist – it was years before I realised Belle & Sebastian’s Century of Elvis was about a cat. Vic’s is from the school of “Two minutes in, just come out and say it.” Continued

I’ve Got Confessions To Make

The silence here lately has been down to a dangerous daily routine of falling asleep in front of Star Trek: The Next Generation, waking up at 5am and playing Prototype until work. Dangerous, but not unpleasant.

Prototype has caused me to break a mouse, and Star Trek has my brain quietly working on a master formula to generate Star Trek plots for Star Trek Online quests, and ways they could interact with a player-chosen crew. Continued

Woo-EEE-Ooh-AAA!

I knew BeBot – a beatific tuxedo’d robot for the iPhone who sings at your touch – was awesome. I didn’t realise he was awesome.

Via, of course, Waxy.

Trust Me With Your Ears: Volume Six

A regular feature in which I ask you to listen to a sound file with no idea what it’s going to be. Sometimes it’s voice, sometimes music, once it was just a noise. This one’s not super-obscure, but it’s ages since I actually listened to it, and to this day I find myself humming it when someone says the word ‘online’. It is dorky in the extreme.

[audio:Trust06.mp3]

Update! It’s not supposed to be all crackly and fucked up. But it’s sounding that way for some. See the comments for a link to the video.

Lord I Just Don’t Care

I’ve been wondering when and how best to post something of Florence and the Machine‘s for a while, pretty much since I first heard them on Adam & Joe. I didn’t doubt it would be Dog Days, the exhaustingly energetic rollercoaster of a song I heard first, I was just waiting till they had something out for it to promote. I forgot that what they released could theoretically be better. They still don’t have an album, but this is Dog’s B-side: You’ve Got The Love. Continued

Trust Me With Your Ears: Volume Five

A regular feature in which I ask you to listen to a sound file with no idea what it’s going to be. It’s an attempt to share the strange experience of rummaging through my old download folders, listening to forgotten MP3s with uninformative filenames. All I know about them is that I must have liked them at some point.

Volume Four was the shortest I’ve ever posted, this one is the longest – don’t click play if you’re in a hurry.

[audio:Trust05.mp3]

Trust Me With Your Ears: Volume Four

A regular feature in which I ask you to listen to a sound file with no idea what it’s going to be. A very, very short one this time, and hopefully mysterious. I’ll reveal its identity and why it’s interesting in the comments tomorrow, but beat me to it if you can.

[audio:Trust04.mp3]