Hello! I'm Tom. I designed a game called Gunpoint, about rewiring things and punching people, and now I'm working on a new one called Heat Signature, about sneaking aboard randomly generated spaceships. Here's some more info on all the games I've worked on, here's the podcast I do, here are the videos I make on YouTube, here are some of the articles I wrote for PC Gamer, and here are two short stories I wrote for the Machine of Death collections.
Ben: Now. I want this now.
Awais: Hi Tom, have you thought about implementing oxygen in...
MasterTom[NL]: Mate… it looks beautiful! Loved...
I've now made enough of Heat Signature to be fairly sure of what it is, which means a) here's a new trailer!
And b) I'm ready to start looking for an artist and a composer to work with!
I'd like to do it the same way I did for Gunpoint, with Open Submissions. That means anyone can send in a sample of what they can do, and I'll pick the best artist and the best composer based on that. In this post I'll explain loads about what we're looking for, but the highlights are:
✓ No experience required!
✓ Work from anywhere!
✓ Flexible hours!
✓ Game already works!
✓ Application deadline: [EXPIRED!] Continued
I started making Heat Signature mainly to figure out if the mechanics would be as fun as they seemed in my head, so I built all its systems in the cheapest, fastest, simplest possible way. That worked – it’s now got to the point where I’m laughing out loud at something ridiculous happening most times I play.
But the slapdash way I built it has the following problems: Continued
The reason it’s been a while since I last showed off my space stealth game, Heat Signature, is that I want to use the next video to put out a call for artists and musicians to hire. So it needs to show enough new stuff that the press might cover it, people might share it, and it might get seen by more people.
Don’t apply for either of those jobs yet, though! The other thing I need to do before then is nail down enough of the game’s underlying tech to be sure of precisely what kind of art and music it needs. The way it’s coded right now is rather glitchy, so now I have to investigate whether it’s the fixable kind of glitchy, or the “Fuck this and try a different method entirely” kind of glitchy.
So I’m not going to show much of its current state, but I did put together a time-lapse of everything I’ve done so far: Heat Signature’s five month development in 2 minutes. Continued
Our big Gunpoint patch has just gone live on Steam! It converts Gunpoint to a whole new engine and adds Steam Workshop, so you can see all the awesome new missions people have been making in the level editor. They are nuts. We’ll make a version of this update available for non-Steam users as well, but obviously Steam Workshop support only works in Steam. Here are the major changes:
It’s also 75% off for 48 hours! That’ll end 10am Pacific Time on 19/06/2014. That discount applies to all editions, too, so you can upgrade for $2.50 or £1.50. And we reduced the UK and EU prices from the Steam defaults to better match their USD equivalents.
Header image is a screenshot of Breakin 1.2, by [NL] Omgertje.
As of today, 70,163 people own Floating Point, the free game about grappling hooks I released last Friday. 31,700 of those got it on day 1, and the count is now growing steadily at around 3,000 new players a day.
This is pretty amazing. I didn’t contact any press about it, and the only promotion I did was the long and rambly videos I’ve been posting here, if you can call them that. Being free, unsurprisingly, makes a big difference. More interesting stats: Continued
(Screenshot by player QBAEY)
Floating Point is based on some grappling hook code I made for a game that I still plan to continue with some day. Since I was using version control for that, and hence for this, I have a log of every ‘commit’ I made during development: basically, all the times I felt my progress was worth backing up, and what that progress was.
With a bit of hackery, I’ve pulled out a list of those in chronological order to make a sort of diary of the game’s development, showing which days I worked on it and what I did. Obviously this contains some references to things only I’ll understand, but most of it’s in English, and it gives you an idea of how the game evolved and how long it took. I’ll highlight major developments or revelations, and add in when I tested and with how many people. Continued
Natalie Hanke, Jukio Kallio and I have just released Distance, a short, semi-interactive, mostly visual piece for the Space Cowboy game jam. Natalie wrote, designed and arted it, Jukio did the sound and music, and I was the programmer. Continued
The Magic Circle is an indie game in development by Jordan Thomas, Stephen Alexander and Kain Shin. It takes place inside an unfinished game, one you can see being built around you. And when I tested it, for reasons I won’t go into, my objective was to ‘Ghost the Sky Bastard’. Continued
Floating Point is out on Steam now, for Windows, Mac and Linux, and it’s free!
It’s a peaceful game about swinging gracefully around randomly generated levels. It’s played entirely with the mouse, it’s easy to play, you can have fun with it in five minutes, and it has relaxing digital music by the excellent Form & Shape.
Here’s a trailer, and some info on why it’s free. Continued
Here is the news:
It’s a peaceful game about swinging gracefully around randomly generated levels. It’s played entirely with the mouse, it’s easy to play, you can have fun with it in five minutes, and it has relaxing digital music by the excellent Form & Shape. Continued
The last few days I’ve been doing a game jam with Liselore Goedhart, being filmed as a documentary series called Super Game Jam. It’s been loads of fun, surprisingly chilled, and we’re really happy with the game we made. We finished it yesterday and let people play it at the London Game Space last night – fantastic to see people laughing so much at something that didn’t exist two days before. Continued
Update: whether you join the beta or not, you may get a Gunpoint update that wants to install some standard installery stuff: a particular vintage of DirectX, VC++, OpenAL. The new engine needs to make sure these are all there, and they can only be turned on globally, so everyone gets ‘em. Won’t interfere with anything, but it will fix the no-music issue some might have had with the new beta.
We’re nearly ready to release an update for Gunpoint that’ll add Steam Workshop support to let you share your custom levels, and hopefully fix any remaining technical issues people are having with the old build. Continued
So Floating Point’s a game about using a wire to swing through randomly generated spaces smoothly. When you do, avoiding obstacles and picking up speed, everything about the game tries to celebrate and reward that flow state: you glow, the music picks up, the collectible bars in the level get more valuable, and grow tall so they’re easier to hit.
One effect I fancied but considered low priority was some kind of trail: maybe particles or sparks or something. So I had a quick look to see how hard this would be in Unity, and discovered something called a Trail Renderer. I tried it, and it looked like this: Continued
My game about swinging through randomly generated spaces has spilled out from a game jam entry, to a four-day game, to a week-long game. This is a series of three video blogs talking about interesting things that happened in its design.
Here’s my previous video showing the game itself.
I’ve been designing and trying various ways for you to make progress towards your objective in Heat Signature, and four bad iterations have led me to a surprising conclusion.