Memento

 

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Genre: psychological thriller.

Stars: Guy Pearce (apparently in Neighbours at one point), John Pantoliano (the traitor in The Matrix), Carrie-Anne Moss.

Plot: an insurance claims investigator loses the ability to form new memories when he’s hit from behind during a struggle with a man he finds raping his wife, and tries to track down the second man with notes, tattoos and the help of a suspicious policeman friend. Half of the scenes are shown in reverse order, so that the film ends in the middle of its plot’s timeline.

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Why It’s Great:

  • The actual plot is astonishingly complicated and mind-blowingly clever.
  • The intricate and beautiful scene-splicing interacts with the web of deceit and confusion brilliantly, unpicking it lie by lie.
  • The two main characters are superbly written and are acted so compellingly that I still find them fascinating now, having seen it at least eight times.
  • The fact that every scene starts with you having no idea what came before it mimics the protagonist’s condition cleverly, unravelling the plot in all the right backwards steps without keeping you in the dark about anything he knows.
  • Although the themes are dark and even chilling, the atmosphere is mainly just exciting, and the dialogue and even plot are hilarious in parts.

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Timeline:

Memento Graph

Quotes:

Lenny: (running) Okay, so what am I doing? (Seeing another man running) Oh, I'm chasing this guy. (The running man opens fire) No, he's chasing me.

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It’s about trusting another man with your life, and immediately feeling his confident expertise guide you both to glorious, spectacular victory in an airbourne vehicle you know from experience it’s extremely hard not to crash. It is deeply homoerotic.