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Game development








Hello! I'm Tom. I designed a game called Gunpoint, about rewiring things and punching people, and now I'm working on a new one called Heat Signature, about sneaking aboard randomly generated spaceships. Here's some more info on all the games I've worked on, here's the podcast I do, here are the videos I make on YouTube, here are some of the articles I wrote for PC Gamer, and here are two short stories I wrote for the Machine of Death collections.


By me. Uses Adaptive Images by Matt Wilcox.

  • RoboLeg: this game would be PERFECT for mobile, and I’d happily pay 10 bucks or so for it.
  • Jepp: 1) Please keep critiquing games by building new ones :) 2) The non-hand holding, simple systems integrating...
  • Jack: Are you going to release Morphblade for iOS or the Nintendo Switch? I would really like to play this on my...
  • Spaceman Moses: One-eyeing this on my phone from the depths of my covers I lazily ask: what do you mean XCOM2 clarity...
  • kripto: For what it’s worth, I also like Morphblade more than Imbroglio. Although, to be fair, I’ve also...
  • Hitman header tunnel

    Rewarding Creative Play Styles In Hitman

    Far Cry Primal Thumbnail

    Postcards From Far Cry Primal

    Snowball jack header

    Solving XCOM’s Snowball Problem

    Kill Zone and Bladestorm

    Kill Zone And Bladestorm

    BAFTA Featured

    An Idea For More Flexible Indie Game Awards

    Sectors Header

    Teaching Heat Signature’s Ship Generator To Think In Sectors

    DXHR Open area

    What Works And Why: Multiple Routes In Deus Ex

    Heat Signature Natural Numbers

    Natural Numbers In Game Design

    Pharma Header

    Naming Drugs Honestly In Big Pharma

    Writing vs Programming

    Make A Game Tutorial Thumbnail Featured IMage

    Let Me Show You How To Make A Game

    New Heat Signature Video: Galaxies, Suction And Wrench-Throwing

    Her Story banner

    What Works And Why: Nonlinear Storytelling In Her Story

    My Idea For An ‘Unconventional Weapon’ Game

    From Gunpoint To Heat Signature: A Narrative Journey

    The Cost Of Simplifying Conversations In Videogames

    Invisible Header

    What Works And Why: Invisible Inc

    Super Game Jam Header

    Our Super Game Jam Episode Is Out

    Shadow of Mordor Header 2

    What Works And Why: Sauron’s Army

    Heat Signature Talk

    Showing Heat Signature At Fantastic Arcade And EGX


    What I’m Working On And What I’ve Done

    Murder, She Wrote

    The Formula For An Episode Of Murder, She Wrote

    Heat Signature Wide 2

    Heat Signature Needs An Artist And A Composer

    Heat Signature Floorplans Header

    Improving Heat Signature’s Randomly Generated Ships, Inside And Out

    Gunpoint Steam Workshop

    Gunpoint Patch: New Engine, Steam Workshop, And More

    Distance Header

    Distance: A Visual Short Story For The Space Cowboy Game Jam

    The Magic Circle

    Raising An Army Of Flying Dogs In The Magic Circle

    Floating Point Blog Launch

    Floating Point Is Out! And Free! On Steam! Watch A Trailer!

    Floating Sine

    Drawing With Gravity In Floating Point


    What’s Your Fault?

    Hoplite banner

    The Randomised Tactical Elegance Of Hoplite

    Gone Point

    Here I Am Being Interviewed By Steve Gaynor For Tone Control

    Heat Signature Thumbnail

    Heat Signature: A Game About Sneaking Aboard Randomly Generated Spaceships

    GRappling Hook Thumbnail

    The Grappling Hook Game, Dev Log 6: The Accomplice

    Alien Swarm Heroics

    A Story Of Heroism In Alien Swarm

    FTL Story

    One Desperate Battle In FTL

    Spelunky Banner

    To Hell And Back In Spelunky

    Game vs story graph

    Games Vs Story 2

    Gunpoint Breakdown

    Gunpoint Development Breakdown

    Max Payne 3

    Five Things I Learned About Game Criticism In Nine Years At PC Gamer

    This is how you die

    My Short Story For The Second Machine Of Death Collection


    Not Being An Asshole In An Argument

    Skyrim Diary - Frostmere

    Playing Skyrim With Nothing But Illusion

    Mainstream Games

    How Mainstream Games Butchered Themselves, And Why It’s My Fault


    A Short Script For An Animated 60s Heist Movie

    Dark Messiah

    The Magical Logic Of Dark Messiah’s Boot


    Arguing On The Internet


    Shopstorm, A Spelunky Story

    Stealth Games

    Why Are Stealth Games Cool?


    E3’s Violence Overload, Versus Gaming’s Usual Violence Overload

    Suspicious Manifesto

    The Suspicious Developments manifesto


    GDC Talk: How To Explain Your Game To An Asshole


    Listening To Your Sound Effects For Gunpoint


    Understanding Your Brain

    What Makes Games Good

    What Makes Games Good

    Seat Quest

    A Story Of Plane Seats And Class

    Deckard: Blade Runner, Moron

    Beneath Suspicion

    Avoiding Suspicion At The US Embassy

    Open Worlds

    An Idea For A Better Open World Game

    Level Up

    A Different Way To Level Up

    BioShock Ending

    How I Would Have Ended BioShock

    Meet the Spy

    My Script For A Team Fortress 2 Short About The Spy

    Team Fortress 2

    Team Fortress 2 Unlockable Weapon Ideas

    Football Manager

    Don’t Make Me Play Football Manager

    EVE Assassins

    EVE’s Assassins And The Kill That Shocked A Galaxy

    GalCiv 2

    My Galactic Civilizations 2 War Diary


    I Played Through Episode Two Holding A Goddamn Gnome

    Machine of Death

    My Short Story For The Machine Of Death Collection

    Blood money and sex

    Blood Money And Sex


    A Woman’s Life In Search Queries

    Second Life

    First Night, Second Life

    SWAT 4

    SWAT 4: The Movie Script

    SWAT 4

    SWAT 4: The Movie Script

    OFFICER DOWN, OFFICER ANDAGENTLEMAN, OFFICER DIBBLE and HANK stand in a rain washed street, weapons at the ready. HANK plants a breaching charge on the back door to a building. OFFICER DOWN takes out a gun-shaped camera device.

    I’ll use the Opti-Wand!

    We don’t need to, there’s no-one behind this.

    OFFICER DOWN holsters the OPTI-WAND with a silent sadness. HANK detonates the breaching charge.

    Police! Everybody get down!

    Get down and put your hands up!

    Everybody freeze!

    The smoke clears. The hallway beyond is empty. OFFICER DOWN and OFFICER ANDAGENTLEMAN progress down the hall and turn into a side room.

    Police! Hands up!

    Don’t shoot! I’m not one of them!

    Get on your knees and put your hands behind your head!

    OFFICER ANDAGENTLEMAN readies his zip-cuffs. The CIVILIAN continues to stand.

    This is my shop! I’m not a criminal!

    Shut the fuck up, sir.

    I didn’t do anything wrong!

    I’m going to shoot him.

    Don’t shoot him! Sir, you have one more fucking chance to put your fucking hands up before we fucking kneecap you.

    This is my shop! Why don’t you go after the shooters?

    OFFICER DOWN shoots the CIVILIAN in the knee.

    Aaaaaaarggh! Oh God!

    The CIVILIAN tries to hobble out of the room.


    The CIVILIAN cowers in the corner. OFFICER ANDAGENTLEMAN puts his zip cuffs away, draws his M1911 pistol and shoots him in the other knee.


    We’re going to have to kill him.

    OFFICER DIBBLE passes and stops in the doorway.

    That looks really bad from out here.

    OFFICER ANDAGENTLEMAN looks at the CIVILIAN with infinite sadness. OFFICER DOWN shoots the CIVLIAN in the leg again.


    OFFICER ANDAGENTLEMAN shoots the CIVILIAN in the leg again. OFFICER DOWN shoots the CIVLIAN in the leg again. OFFICER ANDAGENTLEMAN shoots the CIVILIAN in the leg again. The CIVILIAN collapses. OFFICER ANDAGENTLEMAN shoots him three times in the face. Fade to black.

    Graham: This made no sense to me until I read the title -- and then it was very, very funny. Just reminds me of how much potential there is in game-to-movie adaptations. I've often wondered why no one has ever written a film like this. Some sorry writer is commissioned to port some ridiculous game license to the silver screen, and rather than use it as an excuse to do something original, they always seem to try too hard to turn it into some wholly uninteresting action movie slog. I suppose it's clueless producers that are to blame, but given that they so often pick the most unlikely candidates to turn into films, one wonders why no one has gone at least a little Kaufman-esque.

    The Culture Vulture: Too true. I continue to find it quite astonishing that professional screenwriters and production companies are unable to put together a single decent film of a game, particularly when fans have been generating interesting narrative for years, both through slash fiction and Machinima (good bit in the Guardian last week on this)

    JohnMid: So I guess the civilian AI/scripted response isn't all its cracked up to be in SWAT4?

    Oh, and did you mean M1911A1? I'll get me coat...

    Tom Francis: Bah, yes, damn you.

    Officer Down was played by Craig Pearson, Tom Francis was Officer Andagentleman, Officer Dibble was played by Steve Williams and Hank was Tim Edwards.

    SWAT 4 2: Electric Boogaloo coming soon.

    CannedLizard: You have to love those stubborn civilians. Since my usual weapon is a beanbag shotgun, I just peg them in the nuts a few times, then spray them with pepper spray. Kneecapping them never really seems to help.

    Dabs: "I'm not a criminal!" "Shut the fuck up, sir." Heh. Hilarious because it's just so damn true.

    Aubrey: Interesting, interesting.

    To me, this makes a very good point about generative narrative. This piece reads more like an "account of events" than a story.

    So, if you want to generate a good story, you leave out the insignificant actions. Like, can anyone tell me at what point Jack Bauer takes a shit in 24? You can never tell! Maybe he holds it in all day? Maybe we don't have to care about Jack's shit at all.

    So they skip the shit because it's insignificant. That's not to say it can't *be* significant - if Jack's been holding it in for a month, his demeanor will probably change, post shit, so his shit is significant, and story-worthy. (If I had a shit after that length of time, I would probably WANT a film crew to film it, too.)

    So, what I'm saying is, generative storytelling through gameplay should see the game trying to anticipate what actions are significant, and highlight and support them for the player. At the same time it should be taking the insignificant and make it significant so that there's no boring train of similar actions. If people are picking up and dropping items in the game world, creating boring pieces of story ("Player1 picked up the pen. Player1 then placed the pen down again. Player1 picked up the pen again. Thoughtfully, Player1 put it down once more"), couldn't an NPC become significantly annoyed at this that they provoke the player into doing something more interesting? (Enpeecee said to Player1 "Stop Messing around, f4g0t. Some nazi war criminals are walking past the window!".)

    Gazzy: "You're in my way, sir."

    DemonDoll: Not having played the game I still think this is very funny. Unfortunately, hilarious commentary on the actual state of video gaming is not viewed as something that can be made into a movie for lack of accessibility to the general audience. It's just stupid and sad that they continue to adapt games into movies by cutting out everything that makes it a game while STILL alienating the general audience because it's advertised as a video-game movie. Fortunately, there exist independent niche studios such as Rooster Teeth making brilliant movie-type-things like Red vs Blue that keep very close ties with the source material of Halo, in this case.

    Paul: Haha! So, so, so true... I must say though, your lucky to have friends who are willing to play this game with you!