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TOM FRANCIS
REGRETS THIS ALREADY

Hello! I'm Tom. I designed a game called Gunpoint, about rewiring things and punching people, and now I'm working on a new one called Heat Signature, about sneaking aboard randomly generated spaceships. Here's some more info on all the games I've worked on, here's the podcast I do, here are the videos I make on YouTube, here are some of the articles I wrote for PC Gamer, and here are two short stories I wrote for the Machine of Death collections.

Theme

By me. Uses Adaptive Images by Matt Wilcox.

  • html color: This is the information I am looking for. This article is clear and easy to understand. I’m...
  • Grant: Thanks to the start of this video, I’ve just now noticed that during the static flickers while staring...
  • Ben: Great analysis. During the lab sequence in the Prey intro, you were looking around for tells that Morgan is in a...
  • RoboLeg: this game would be PERFECT for mobile, and I’d happily pay 10 bucks or so for it.
  • Jepp: 1) Please keep critiquing games by building new ones :) 2) The non-hand holding, simple systems integrating...
  • Rewarding Creative Play Styles In Hitman

    Postcards From Far Cry Primal

    Solving XCOM’s Snowball Problem

    Kill Zone And Bladestorm

    An Idea For More Flexible Indie Game Awards

    Teaching Heat Signature’s Ship Generator To Think In Sectors

    What Works And Why: Multiple Routes In Deus Ex

    Natural Numbers In Game Design

    Naming Drugs Honestly In Big Pharma

    Writing vs Programming

    Let Me Show You How To Make A Game

    New Heat Signature Video: Galaxies, Suction And Wrench-Throwing

    What Works And Why: Nonlinear Storytelling In Her Story

    My Idea For An ‘Unconventional Weapon’ Game

    From Gunpoint To Heat Signature: A Narrative Journey

    The Cost Of Simplifying Conversations In Videogames

    What Works And Why: Invisible Inc

    Our Super Game Jam Episode Is Out

    What Works And Why: Sauron’s Army

    Showing Heat Signature At Fantastic Arcade And EGX

    What I’m Working On And What I’ve Done

    The Formula For An Episode Of Murder, She Wrote

    Heat Signature Needs An Artist And A Composer

    Improving Heat Signature’s Randomly Generated Ships, Inside And Out

    Gunpoint Patch: New Engine, Steam Workshop, And More

    Distance: A Visual Short Story For The Space Cowboy Game Jam

    Raising An Army Of Flying Dogs In The Magic Circle

    Floating Point Is Out! And Free! On Steam! Watch A Trailer!

    Drawing With Gravity In Floating Point

    What’s Your Fault?

    The Randomised Tactical Elegance Of Hoplite

    Here I Am Being Interviewed By Steve Gaynor For Tone Control

    Heat Signature: A Game About Sneaking Aboard Randomly Generated Spaceships

    The Grappling Hook Game, Dev Log 6: The Accomplice

    A Story Of Heroism In Alien Swarm

    One Desperate Battle In FTL

    To Hell And Back In Spelunky

    Games Vs Story 2

    Gunpoint Development Breakdown

    Five Things I Learned About Game Criticism In Nine Years At PC Gamer

    My Short Story For The Second Machine Of Death Collection

    Not Being An Asshole In An Argument

    Playing Skyrim With Nothing But Illusion

    How Mainstream Games Butchered Themselves, And Why It’s My Fault

    A Short Script For An Animated 60s Heist Movie

    The Magical Logic Of Dark Messiah’s Boot

    Arguing On The Internet

    Shopstorm, A Spelunky Story

    Why Are Stealth Games Cool?

    E3’s Violence Overload, Versus Gaming’s Usual Violence Overload

    The Suspicious Developments manifesto

    GDC Talk: How To Explain Your Game To An Asshole

    Listening To Your Sound Effects For Gunpoint

    Understanding Your Brain

    What Makes Games Good

    A Story Of Plane Seats And Class

    Deckard: Blade Runner, Moron

    Avoiding Suspicion At The US Embassy

    An Idea For A Better Open World Game

    A Different Way To Level Up

    How I Would Have Ended BioShock

    My Script For A Team Fortress 2 Short About The Spy

    Team Fortress 2 Unlockable Weapon Ideas

    Don’t Make Me Play Football Manager

    EVE’s Assassins And The Kill That Shocked A Galaxy

    My Galactic Civilizations 2 War Diary

    I Played Through Episode Two Holding A Goddamn Gnome

    My Short Story For The Machine Of Death Collection

    Blood Money And Sex

    A Woman’s Life In Search Queries

    First Night, Second Life

    SWAT 4: The Movie Script

    Half-Life 2

    The Basics
    Sci-fi FPS in which your character never speaks, we never leave his viewpoint, and no-one ever bothers to explain the plot to him. He wakes up in an Orwellian future, humanity oppressed by a collective of co-opted and modified alien species. He must help the pockets of resistance he finds to overthrow the jerks. Combat is half shooting and half physics-based, using a device that can drag objects to you and then fire them out at speed.

    Smart Money's On The Antlion

    The Appeal
    The gasmask moment, the crowbar moment, the Manhacks moment, the chopper fight, the dam jump, the Gravity Gun moment, playing with Dog, the sawblade moment, the fast zombie moment, the black zombie moment, the Gregory moment, the jeep jump over a gunship, the guided rocket fights, the shotgun-battle stop-offs, the Antlion assault on Nova Prospekt at dawn, Dog versus the APC, the Strider fights, inside the Citadel, the Super Gravity Gun moment, The Explosion. I had higher expectations than anyone, and each of these astonished me. I have never been so impressed by anything in my life than by Half-Life 2. In another game, though, these would be reduced to good ideas, nice touches, memorable experiences. Here, they were mind-blowing. It wasn’t about the actual events, in the end, it was about how convinced I was that they were really happening to me.

    They were so detemined that it should feel right, they recreated science itself for their world. For me the only reason to hold ‘linear’ against a game is if it controls where you’ll be and what you’ll be doing in order to avoid the hard work of genuinely crafting a world. No danger of that here – this is the most physically convincing, tangible world short of the real one. Everything you do sounds and feels right, and thanks to the ability to pick things up and throw them (with your hands or the Gravity Gun), you can do an awful lot.

    Bisection

    This ‘feel’ I won’t shut up about is only half physics – most of the rest is the absolutely perfect sound. I go around throwing grenades at things just for the sound they make when they bounce off different surfaces. The fact that it is always, always the exact right sound for a small, heavy metal canister bouncing off whichever of the hundreds of surface types I’ve chosen to toss it against, is mind-boggling to me. This is a grenade. Its purpose is to explode. Who the hell cares what the bounce sounds like? It’s going to be muffled by gunfire anyway.

    Valve are the only company in the world who know just how much it matters, and have the resources and time to get it exactly right every time. It is perfection, and games have never come close before. The result for the casual player is just better immersion, which is important and everything, but the result for people like me is more profound. We play games out of a sense of adventure, to travel to places more amazing than any on this Earth. But we never expected it to feel as much like a real place as Half-Life 2 does. That’s why I keep going back.

    Iris

    The Essential Experience
    Barney throws you your crowbar – great moment. I think for a second, then reload the autosave and do it again. This time, I step back and let the crowbar hit the ground. It clangs against the concrete and clatters to a standstill. The sound, the bounce, the feel is perfect, and yet there is absolutely no reason to account for the possibility that some idiot might jump out of the way of the crowbar just to see what sound it makes when it hits the ground. And they didn’t have to. They just went to the Herculean effort of making a world in the first place, and now every eventuality works perfectly. It can seem a subtle and merely philosophical difference, but if a crowbar falls in the concrete jungle and no-one hears it, it makes a sound. It goes CLANG.

    Am i first?: First!

    Cheeetar: Congratulations, you have commented first on an old post and gained attention.

    Jazmeister: First!

    Am i first?: How would this get any attention?

    Am i first?: *and at that moment i just saw the last comment piece, woops sorry

    Jackrabbit: Yay? I'm glad I saw this review, it really made me want to go back to half life.

    Until I can run Ep2 that is